Guide, Steer, Repeat: Applications of AI in arts, culture and creativity, and how Australia should respond 

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This paper looks at the ways Australians are now using artificial intelligence (AI) in arts, culture and creativity, and explains how government and industry are responding to its emerging impacts.

AI is already woven into Australians’ cultural and creative activities, helping creators brainstorm and refine ideas, and audiences access and participate. Why and how we use AI determines whether it will generate benefits or cause harm to people and communities. 

Governments have the opportunity to harness the knowledge of industry on the impacts of AI in arts, culture and creativity, acknowledge these impacts in cultural policies, and respond to them through a cross-portfolio approach. Arts and culture can also be used to help Australians work out how to apply AI in safe, innovative and inclusive ways. 

Since AI tools and how we use them will continue to evolve, it is essential that we do not simply ‘set and forget’ but regularly revisit how we use AI. — Guide, Steer, Repeat: Applications of AI in arts, culture and creativity, and how Australia should respond

Findings 

Finding 1

  • Australians are using AI across arts and culture, but with some caution

Finding 2

  • Governments and cultural and creative industries are responding

Finding 3

  • There is untapped potential to use arts and culture to steer AI

Opportunities 

Opportunity 1

Noting Australians are using AI across arts and culture, but with some caution

  • Cultural policies at all levels of government should explicitly acknowledge the real impacts of AI on arts and culture, and commit to addressing these impacts.
  • Government agencies responsible for AI policy and government use of AI should consider and address the impacts relevant to arts and culture when making policy.
  • Representative surveys by government, academia and industry on AI usage should vigilantly track why and how Australians use AI across cultural and creative activities.

Opportunity 2

Noting governments and cultural and creative industries are responding

  • Governments should take a cross-portfolio approach to regulating deepfakes that explicitly considers arts and culture. This would help steer away from harmful uses and towards benefits.
  • Major galleries, libraries, archives and museums should actively share knowledge and the benefits of AI with smaller institutions to help ensure uses of AI are beneficial for arts and culture in
    all communities.
  • Governments should harness the knowledge of Australian industry regarding the impacts of AI in arts and culture, including insights from generative AI developers, to inform domestic policy and
    engagement with overseas regulators of AI.

Opportunity 3

Noting there is untapped potential to use arts and culture to steer AI

  • Equip Australians to apply AI in safer, more innovative and inclusive ways by using cultural and creative activities as an accessible means to improve awareness and understanding.

Suggested Citation

Alan Hui, Kate Fielding and Sari Rossi, Guide, Steer, Repeat: Applications of AI in arts, culture and creativity and how Australia should respond. Analysis Paper No. 2024–06. Canberra, Australia: A New Approach, October 2024.

Report Design

Aakanksha Sidhu, ANA

Acknowledgement

ANA acknowledges the cultures of Aboriginal and Torres Strait Islander peoples in Australia and their continuing cultural and creative practices in this land.

ANA thanks the people who generously reviewed this Analysis Paper for their time and excellent feedback, including Seb Chan, Australian Centre for the Moving Image, and Professor Jean Burgess, Queensland University of Technology, as well as members of ANA’s Board and Reference Group. However, any errors are our own. If you notice any errors, please get in contact at the contact details provided below.

The opinions in this document do not necessarily represent the views of ANA’s funding partners, the individual members involved in the governance or advisory committees, or others who have provided input.

© A New Approach (ANA) 2024. This work is copyright. All material published or otherwise created by A New Approach is licenced under a Creative Commons – Attribution – Non-Commercial 4.0 International Licence.

New Approach acknowledges that it meets, works and travels on the lands of First Nations peoples. We pay our respects to Elders past and present, and to all First Nations peoples.